I’ve been going to a weekly Figure Drawing class for many, many years. Drawing a live model (even on ‘Zoom’) is one of the most challenging and engaging activities an artist can do. It sharpens your observational skills and your hand/eye coordination. These are some drawings from the last several months - charcoal on 18”x24” sheets of brown craft paper. I rub out each drawing a work on the same sheet of paper for most of the session. I photograph them before rubbing out if I think it’s an image I’ll want to keep.
Friday, April 1, 2022
Saturday, March 19, 2022
Marching onward
A few more paintings from the last several weeks including Monday sessions and Friday flowers.
Monday plein-air sessions are about 3 hours long max due to the changing light conditions. Most are posted 'as-is' with little change unless there is something that isn't working or needs adjusting, that I will do in the studio while the image is still fresh in my mind, along with a reference photo.
Friday, March 18, 2022
time change and changing times
March has turned into a wild ride - changes in the world including Covid mandates and the Ukrainian invasion have put other things to mind. Making art is still a place of solace and positive energy.
I continue my weekly plein-air sessions, weekly figure drawing class, weekly flower painting session as well as working in the studio. I have also come to the end of a year-long mentoring program with the Australian artist, Colley Whisson. This is part of Tucson Art Academy Online, that offers mentoring programs with several nationally and internationally recognized artists including Matt Smith, Randy Sexton and Mitch Baird.
I've learned a great deal from Colley through his coursework and critiques. I thought I'd post a few of the paintings that I have worked on with Colley.
Friday, February 18, 2022
February Early Spring
The one good rain we had well over a month ago had the effect of turning everything green, making trees blossom early and clearing the air. No rain since, but the green has held on so far. It's been great to get out and paint in the warm, early spring. Here's what I've been working on this past month:
Then we switched to whatever was blooming:
Wednesday, January 5, 2022
Auld Lang Syne
As usual, December gets taken up with holiday energy, celebrations and time spent navigating family and friends through a Covid 19 scrim.
Painting - focused working time in either the field or the studio - continues to be an island of refuge despite the stressful holiday activities.
These are paintings done from Monday plein air days, Friday flower days and everything in between.
I'll start with the Annual New Years Day painting. This is a self-tradition I have done for many years now - going out and spending a few hours alone painting. It sets a goal for me and reinforces my continuing dedication to keep on working.
The rest are grouped basically by subject matter - starting with the Ocean:
Tuesday, November 9, 2021
Falling into Autumn
Season change, time change, weather change - I love the long shadows but not the shorter day length.
Good news: Sold three paintings in the last couple of weeks - 2 small oils from the Waterhouse Gallery (things are picking up finally) and 1 from the SCAPE Climate Change show in which I also won the First Place Award for my small gouache of an abandoned oil derrick on Santa Cruz island.
I also was awarded the 3rd place prize for the 11th Annual National Juried show at the SAGE Gallery in Sheridan, Wyoming, which was juried by T. Allen Lawson. There were about 40 pieces chosen out of over 350 entries. I feel honored to be there and Tim Lawson had some very kind words to say about why he chose my oil painting "Lagoon" for the show and the award.
In the meantime, I'm working away. Finished up a painting from the Sierras of the full moon over the lake.




































